求《史密斯夫妇》 200词影评
重新看了一遍《史密斯夫妇》，上次看是初中，隔了这么多年再看一遍发现他变味儿了。真变味儿了。所以决定偶尔也写点正经的东西吧。
四年前，重点关注的是枪战的华丽，和家中比家具还要一应俱全的各种武器。
四年后，看到了枪械与谎言背后的婚姻。
不敢说这是一种成长，但我想我对同一个事物关注的着重点在不知道什么时候变了。
不得不说，作为一部商业动作片她很成功，华丽的枪战，访谈回忆式的剧情，衔接紧凑的追车镜头，不靠谱儿的以少胜多结局，该有的都有了，并且都很不错，可以说差额完成任务。但根据我单方面对导演的臆想，片子更想说的其实是一种婚姻状态。
一、无责任邂逅
访谈中两个人回忆起如何相遇的时候，他们感觉都很美好，那确实很美好。两个人碰巧去同一个地方“旅游”，并且旅游地又碰巧出了一宗重要人物谋杀案，警察盘查单独旅行者的时候两个人又碰巧遇到，于是两个碰巧邂逅的杀手为了避开盘查假扮夫妻。再后那晚在小酒吧中的玩闹可真美，喝醉的两个人缠绵了一夜。
其实真正的重点是在第二天的清晨，安吉丽娜起床时发现房间空无一人，我看到的是她脸上稍纵即逝的失落。她可能在想，又是一夜激情后的失落，或者是什么更让人伤感的思绪。布拉德皮特端着红茶和报纸进来的时候，安吉丽娜的脸上又充满了惊讶和太多的不敢相信。其实我也很惊讶，惊讶的缘由其实并不难理解，这种对如今的感情观来说反常态的责任感，让人不能理解，但正是这种反常态的责任感，换来了安吉丽娜动人的一笑。
“找不到更好的了，我尽力了。”
在这种时候红茶品质的好坏已经不是问题的重点，重点在于他们两个人相爱了。
二、七年之痒
“你们结婚几年了？”
“五年。”
“六年。”
“...”
访谈就这样尴尬的冷场了，如果说男人的记忆里真的没有女人好，那无数男人心目中念念不忘的苍井空、小泽玛丽亚、星野亚希又是如何常驻心中的呢？因为男人喜欢这种看得见摸不着的刺激，所以她们活了下来，正如尽管饭岛爱死了，但她依旧活在无数男人的硬盘中，可能他并不是单纯的传播淫秽色情的不洁之物，也许还有很大一部分情趣在于他给无数男人带来了超脱在性之外刺激，只存在于精神层面的刺激。
所以，皮特在婚姻生活的六年中，习惯了每天七点回家吃晚饭，习惯了每天走之前向安吉丽娜说我爱你，习惯了每天为些鸡毛蒜皮的小事和妻子争论一会，与其说是习惯了，不如称之为忍受，婚姻就这样在激情潮退的过程中，提前一步进入了所谓的“七年之痒”。
三、回光返照
当发现一同生活了六年的伴侣其实是个杀手，我想但凡是个脑子没病的人都会多少受那么点儿刺激。这就像催化剂，短暂的激动过后，促进了他们进入了“七年之痒”的下一个阶段的脚步。我称他为回光返照。
他们开始互相猜疑，猜疑对方的身世，猜疑对方在自己身边的的真正目的，甚至猜疑他们最美好的相遇是不是有什么目的，于是什么“约翰行动”、“泄露资料”这些旁人听起来可笑的猜测结果就横空出世了。
仔细想想，真实的婚姻不也是这样吗，只是片中的夸张给这个环节曾添了不少的荒诞成分。就是这么回事儿。
四、破坏，创造
高中在画室的时候老师就一直教导我：先破坏，再创造！就是因为当时意识的朦胧，导致我现在手绘的半吊子水平停滞不前。没想到的是，这句话的玄妙之处在这部片子里得到了诠释。并且在极端暴力的过程中诠释的很到位。
婚姻中猜疑的下一个阶段，我想就是所谓的歇斯底里的破坏，肆无忌惮的破坏着水壶、桌子、冰箱这些共同生活过的证据的同时，破坏着两人几年来的感情，维系也好，建立也好，感情终归是感情。
皮特和安吉丽娜也是人，尽管是电影，但两个人所演绎的毕竟是对夫妻，是夫妻就或多或少会有感情。他们在猜疑之后终于忍不住狗急跳墙的大开杀戒。一次次的痛下杀手，给别人制造伤痕的同时自己又在爱与不爱的怪圈儿里挣扎，极端之举便是在家中的最后一晚，两个人使出了各自身为杀手的看家本领。该破坏的都破坏殆尽了，当最后两个人把枪同时对准对方时，发现原来面对共同生活六年的生活伴侣真的下不去手。于是两个人扔下枪，重温他们第一夜才有的激情。
人其实就是这样，知道了什么是疼才会小心保护。
他们破坏了所有生活过的证据，发现伤害对方的同时自己也会疼，于是他们重新创造了一段感情。
五、真实的谎言
再闷再重新创造感情的同时，发现了太多从前不知道的对方的秘密。这六年他们共同生活在为对方精心编制的各种谎言中，形形色色，并乐此不疲。但换来的只是相视一笑，这可能就是所谓的释然吧。
这便是我从《史密斯夫妇》中看到的婚姻，这让人战栗，但我想这是婚姻所必须经历的，所以总结一下，婚姻这东西其实就是一个必须经历的阶段，就像我们都经历过的青春期，谁都逃不了，只是各自反应大小不同。面对现在越来越儿戏的婚姻，我想作为一个完全的局外人对你们说一句：如果没有做好遍体鳞伤之后破茧成蝶的准备，就不要盲目入市。
求史密斯夫妇的英文影评
John and Jane have been married for five or six years and pretty much have the American ideal; they live in a big home in a nicely white and middle-class suburb, they both drive nice cars and both have very good careers. Sure they have problems in their marriage but outwardly they look great and they are getting counselling for the lack of spark anyway. The real problems probably come from the fact that, unbeknownst to one another, he is not really a building contractor and she is not really a computer expert, really they are both professional killers working for different companies. This is all well and good until they both get sent to do the same job and narrowly miss killing one another. Discovering the other's secret identity, they both assume that the other is only in the marriage to get information and mark the other so neither has a choice but to try and kill the other first.
From the plot summary alone you've probably got the idea that this is not the film to come for if you are in a cerebral mood. The plot is rather silly to say the least, the action OTT and the whole thing is utterly unconvincing and unengaging. However it is all rather fun and entertaining in a big, dumb, noisy summer blockbuster sort of a way. On this level it is possible to just take it as it comes, ignore the lack of substance and be taken in by the slick style with which it is all carried off. It helps that all those involved know to deliver it with their tongues in their cheeks, so it never looks stupid, it knows it is silly but it also knows that it is entertaining and, in the summer market, that is all it is required to be doing. The result is that it all moves forward quickly and constantly with an air of slick confidence that produces funny lines and plenty of big noisy action.
Of course it is not the film to bring your brain to, because if you think about it you have lost the point and will no enjoy it. I found myself thinking once or twice and forced myself to just get lost in the film as a product that than a story. I thought about how the characters were more about the celebrities than the writing, but this didn't matter because that was part if the appeal of the film. I thought about how the action lacked any tension or anything to really hook me in, but that was mainly because the film and characters had no substance below the slick exterior, so the action matched that approach. I also found some of the scenes of violence a bit hard to take - was I the only one who watched this married couple punching and shooting each other and thought how the real sufferers of domestic violence would not appreciate such a sensual and funny look at the subject? Like I said though, I nipped these thoughts in the bud because the film is not about the detail, it is about the glossy finish - the engine of this car might have been a couple of badgers on a treadmill, but the bodywork had definitely been "pimped"!
With such a glossy vehicle, it was important to have a couple of really sexy stars who have chemistry to carry off the silly nonsense. Fortunately the stars are textbook for that type of stuff. Pitt has been slickly moving through Ocean's 11/12 and Jolie is sexy/sassy personified. Individually they keep the quips coming, never take it seriously at any point and manage to make knife wounds, bruises and wounds sexy and cool. Together they both seem to get the joke and their slick deliveries go really well together; I could not care less about the whole "are they/aren't they" gossip column nonsense but they really did make this product work by turning up the "slick" quotient to 11. For me personally though I felt that Vaughn stole the show by doing his usual stuff - he is consistently funny and his rougher character made for a really nice contrast to the endlessly slick delivery in every other section.
It is all nonsense of course and I had started to forget it the moment I left the cinema, but it does what it sets out to do pretty well; not to make you think, not to provide realism, not to be tense, not to engage your emotions but simply to provide a slick, funny film that lives entirely on the surface and never stops moving in case you notice this. This it all does well and, for all the problems with it, it is indeed sexy, smart, funny, noisy and enjoyable. Not great by any means but will certainly keep the target audience happy.
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